Back when I worked at a newspaper in Oregon, I used to joke with a newsroom colleague about sharing the muse as weekly deadlines loomed. “Aren’t you done yet?” I pleaded with the same urgency as someone hopping on one foot outside a locked bathroom door. “Hurry up. I really gotta go … finish my story.”
We didn’t need the divine intervention of a Greek goddess. That’s because there’s nothing so effective as a ticking clock to inspire reporters to file copy. The mere prospect of missing deadlines constitutes an anathema.
But now that I’m a recovering journalist — retired, that is — I no longer face drop-dead deadlines. I like to share pages with the eclectic and supportive writing group with which I meet on Monday evenings. Otherwise, there’s seldom a requirement to perform on demand. I’m blessed to enjoy a more leisurely and, presumably, thoughtful approach to writing fiction. And cursed with the realization I’m sometimes uninspired to do so. At this very moment I should be slogging through the middle third of my latest novel. Instead, I’m working on a blog about inspiration. Or rather, the lack thereof.
Writing can be a creative, engaging and glorious undertaking. There’s nothing more rewarding than crafting a well-written sentence that reveals human truth. Writing can also be an exasperating, debilitating and damned difficult enterprise.
My perspectives are hardly unique. Paul Gallico, another journalist who evolved into a novelist, described both the challenges of writing and desired result of the process. “It is only when you open your veins and bleed onto the page a little that you establish contact with your reader.” Problem is, I abhor bloodshed. Especially my own.
Eavesdrop on any conversation among writers or peruse their social media and prepare for a fusillade of laments. My favorite? The confessions writers would endure almost anything to avoid confronting a blank computer screen or empty sheet of paper. Reschedule my root canal for this afternoon? Sure. But why not right away? I can be there in 10 minutes. It’s not that daunting to clean the entire house from top to bottom. Not compared to starting a new work in progress.
Here’s the irony. I’ve discovered the hard way I can’t wait for inspiration to strike. If I do, it won’t. No lightbulbs switch on in my head. Trust me. I’ve seen it in there. It’s a dark, desert highway along which no novel thought grows.
It’s been my experience if inspiration ever does occur, it’s far more likely to drop by unannounced. To come like fog on little cat feet. Think “Back to the Future” and how Dr. Emmett Brown slipped while hanging a clock in his bathroom. He hit his head on the sink and came up with the idea for the flux capacitor, which makes time travel possible.
What’s a writer to do? Short of staging household accidents.
My brilliant and beautiful fiancée — who doubles as my brilliant and beautiful writing coach — offers this no-nonsense antidote: butts in seats. She leads presentations on the subject, in fact. Get your butt in a seat and get to work. Write something. Anything. Her point: get started, build on the momentum and relish the success that follows. The prolific inventor Thomas Edison similarly calculated the composition of genius at 1 percent inspiration and 99 percent perspiration.
Here’s what’s equally important. Don’t succumb to the distraction your writing isn’t yet perfect. That the three words that best describe the effort are stink, stank, stunk. No less successful an author than Anne Lamont admitted in her book “Bird by Bird” the only way she ever accomplished anything was to write really, really shitty first drafts. Almost all good writing, she insisted, begins with terrible first efforts. But in starting somewhere, persistent writers invariably reach their desired destinations.
Who knows? Perhaps a muse will intervene after all. Although that was never my fortune working at the newspaper in Oregon or one single, solitary moment since. Maybe muses are fickle that way.
If you’ll excuse me, I’m going to plop back into my seat, grit my teeth and return to work on my novel. Sure, that work might reek of mediocrity. I hope nonetheless a word or two could merit salvage.
