P.M. Castle

Colorado Author

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Literally a problem that makes my head explode

May 23, 2023 by Phil Castle

I loathe the imprecise use of words. My head literally explodes at the mere thought of it. 

I’m exaggerating, of course, to make a point. But no less so than the growing number of people who use literally when they mean figuratively.

I admit it. I’m a grammar curmudgeon whose knickers twist over matters important only to English teachers, newspaper editors and certain mystery novelists. Confusion over there, their and they’re. Subject-verb disagreement. Incorrect capitalization. Don’t even get me started on Oxford commas. I loathe them, too.

Lest my latest lament go unheeded as yet another screed from a supercilious word nerd, consider the impressions people make with words spoken and written. I’m not foolish enough to judge people by the ways in which they talk and write. I contend nonetheless there are benefits to precise communication. If nothing else, it increases the likelihood of getting what you ask for — whether that’s a raise, a bank loan or a date on a Friday night.

That brings me back to what’s literally the most misused word.

By strict definition, literally means in a literal manner or sense. But literally also has come to serve as a replacement for figuratively as well as an intensifier intended to add force to another word.

Given trends in popular culture, it’s understandable to believe the misuse of literally constitutes a recent compulsion. But literally has been used in a figurative sense for hundreds of years.

Even famous authors used literally when they meant figuratively. Take a scene from “Little Women” in which Louisa May Alcott described an outdoor supper in a land literally flowing with milk and honey. Really? Wouldn’t that make it difficult to eat, not to mention awfully sticky? Or a line from “The Great Gatsby” in which F. Scott Fitzgerald stated his eponymous protagonist was literally glowing. From what? Exposure to radiation on Long Island? Even Mark Twain had Tom Sawyer literally rolling in wealth after duping a group of boys to pay him for the privilege of whitewashing Aunt Polly’s fence. Better wealth than something else, I suppose.

In comparison to such literary luminaries, who am I to question the uses of literally in some of the best novels ever written? A persnickety wordsmith. That’s who. One who remains unconvinced. I’m more like another famous author,  Ambrose Bierce, who decried: “It is bad enough to exaggerate, but to affirm the truth of the exaggeration is intolerable.”

I confess. I’ve given in on occasion to the temptation to use literally. I’m particularly fond of what I deem a well-turned phrase describing someone who literally wrote the book on the subject. But only if it’s true in a literal sense. The person actually wrote a book and wasn’t just an authority in an idiomatic sense.

What annoys me is the more widespread misuse of literally with such disregard as to render the word meaningless and those who do so almost comic.

Here’s the thing about English. If a word is used incorrectly often enough for long enough, it gains acceptance and new meaning. By some estimates, literally has entered the third or fourth stage of a five-stage scale. In the first stage, mistakes are widely rejected. By the time a word reaches the fifth stage, its misuse has become so ubiquitous only people derided as eccentrics reject it.

Count me among the eccentrics.

It’s impossible for people to claim their heads literally exploded. Even if they swallowed the dynamite that caused the blasts.

But it’s no exaggeration to complain I loathe the imprecise use of words.

I do. Literally.

Filed Under: Storytelling, Writing

The debate rages on: Who’s got the write stuff?

April 25, 2023 by Phil Castle

Who’s your favorite writer?

It’s something of a dubious question. Isn’t it?

It’s like asking who’s your favorite rock ’n’ roll guitarist. Is it Jimi Hendrix, Eric Clapton or Mark Knopfler? What about Eddie Van Halen? Or Chuck Berry for heaven’s sake? How about your all-time favorite situation comedy on TV?  “The Honeymooners?” “Friends?” “Seinfeld?” What about “The Simpsons?”

Here’s the problem: There are too many good ones from which to choose to make any kind of intelligent judgment.

I can think of dozens of favorite writers off the top of my head. Edgar Allan Poe, Mark Twain, E.B. White, Ray Bradbury and Robert McCammon to name a few. Harper Lee created some of the best characters — not to mention character names — in American literature in Scout and Atticus Finch. Of course, Stephen King ranks for many readers as the greatest writer of all time. I wouldn’t dare argue based on the quality or prodigious quantity of his work.

For that matter, the eclectic group of writers with whom I’m privileged to meet once a week have become favorites as well. Although I’m envious of their flagrant talents.

As if choosing a favorite writer wasn’t difficult enough, I recently came across a list that takes the debate to another level: Who’s your favorite fictional writer? By fictional, I mean writers who appear in literature, movies and television. Think Jo March in “Little Women,” Jessica Fletcher in “Murder She Wrote” and George McFly in “Back to the Future.”

Emily Temple compiled a list of no less than 50 fictional writers for the Literary Hub website. As Temple points out, writers love to write about writers.

Some of Stephen King’s most popular novels feature writers as prominent characters — Jack Torrance in “The Shining” and Paul Sheldon in “Misery.” King even turns a killer for hire into a writer in “Billy Summers.” Torrance ranks 34th on Temple’s list, by the way. And Sheldon 12th.

As for the top-ranked writer on Temple’s list, it’s Benno von Archimboldi from the novel “2666” by Roberto Bolaño.

I realized as I was writing this blog I’m no less in love with writing about writers in my mystery novels. To wit: Tucker Preston, editor of the White Mountain Mail.

I’m reluctant to believe I’ll ever become someone’s favorite writer. Or Tucker will ever make the list of the top fictional writers. But it’s something to which to aspire. Something to keep me herding words on nights and weekends.

So tell me. Who’s your favorite writer?

Filed Under: Uncategorized

Ding dong: It’s the Bard of Avon calling

April 13, 2023 by Phil Castle

My day job as editor of a business journal makes me by necessity a student of language. I deploy language — words on newsprint and a website — to report on businesses and business issues. Nights and weekends I herd still more words into mystery novels. And, I’d like to believe, at least a few well-turned phrases. Consequently, I remain vigilant for the best ways in which to convey information in the most compelling fashion.

As a student of language, I’m also a fan of a William Shakespeare and the remarkable ways in which he conveyed information. There’s an undeniable beauty in Shakespeare’s writing, but even more so the fundamental truths he revealed about the human condition.

Were I but half as clever, I’d try to imitate the Bard of Avon. Although I’m uncertain of how that’d work in a business newspaper. A story, perhaps, about an entrepreneur contemplating a new location for a growing venture? To build, or not to build? That is the question. It would be far easier to emulate Shakespeare in writing mysteries. Imagine the murderer frantic to wash blood-stained hands. Not unlike Lady Macbeth. Out damned spot! Out I say!

At the same time, it’s tempting to make fun of Shakespeare’s Elizabethan English. Bill Watterson did so ingeniously in one of my favorite Calvin and Hobbes comic strips. Calvin’s mom catches him as he’s running out the door and inquires: “Wither goest thou young rogue? Can there yet remain some villainy thou has not committed?” Calvin answers: “Thou dost wrong me! Faith, I know not where I wander. Methinks the most capricious zephyr hath more design than I.” The exchange became something of a standing joke whenever I asked my two teen-aged sons where they were headed on a Saturday night.

But here’s the thing — and, at long last, my point. Many common descriptions and phrases come from Shakespeare plays. People imitate Shakespeare every day whether they realize it or not.

A post that appeared on the Mental Floss online magazine enumerated some of them, including fair play, lie low, kill with kindness and good riddance. The Sherlock Holmes catchphrase “the game is afoot” originated with “King Henry V,” not Sir Arthur Conan Doyle.

But wait, there’s more. If you complain about a wild goose chase or that something confusing is Greek to you, you’re reciting Shakespeare. Even knock, knock jokes originated with the bard.

As envious as I am of Shakespeare’s unmatched abilities, I doubt I’ll try to imitate them as editor of a business journal. Or, for that matter, a mystery novelist.

But as a student of language, I’m no less appreciative. The live long day.

Filed Under: Uncategorized

If this is the new normal, I’d better sharpen my quill

March 3, 2023 by Phil Castle

It’s time once again to reveal some of my trade secrets for writing a blog. Pull back the curtain. Spill the beans. Show how the sausage is made.

Today’s lesson: How to make fun of things that deserve to be made fun of because … well, because they’re easy targets and remarkably ridiculous.

In case my brand of irony isn’t obvious enough, I don’t use cringe-worthy idioms because I like them. I loathe them. I intend instead to demonstrate the absurdity of using words and phrases whose meaning and usefulness — if they ever had any to begin with — soon wears off.

Because of my day job as editor of a business journal, I’ll focus my efforts for now on phrases used at work.

Prebly, a company that provides a language learning application and e-learning platform, recently surveyed more than 1,000 people about their perceptions of office buzzwords. You know. Those phrases and terms that initially seem impressive, but on subsequent reflection mean little. In other and better words — thank you again William Shakespeare — full of sound and fury, signifying nothing.

Fully 42 percent of those who responded to the survey cited “new normal” as the most annoying new buzzword of all. If the new normal includes the use of the phrase new normal, who wouldn’t be sick of that? “Lean in” came in a distant second at 18 percent, followed close behind by “hop on a call,” “level up” and “out of pocket.”

Other phrases also garnered disdain, among them “circle back” and “boots on the ground.” That’s not to mention “work hard, play hard” and such other terms that remind people of the stress of their jobs as “fast-paced environment” and “hustle.”

For that matter, people weren’t particularly fond of the comparisons sometimes ascribed to expectations for their performance, including “rock star,” “guru” or “ninja.” Weren’t ninjas mercenaries in feudal Japan whose covert methods were deemed dishonorable? That’s a plus? Maybe if someone at work deserves to be stabbed in the back. With throwing stars.

According to the survey results, generational differences affect the use of buzzwords. Members of Generation Z — those born between 1996 and 2015 and the newest additions to the work force — prefer “vibe,” “lit” and “basic.”

As a member of the nearly fossilized Baby Boom generation, I’d need a translator to understand what they’re talking about. Of course, they’d probably feel the same way if I ever gave into the temptation to “sharpen my quill.”

I suppose my secrets about writing blogs really aren’t. They’re obvious. Choose a topic that’s easy to ridicule, exaggerate more than a little and throw in some irony for good measure.

As for using buzzwords, don’t.

Filed Under: Writing

To make a long story short, remain vigilant for mistakes

August 7, 2022 by Phil Castle

Part of my day job as a newspaper editor is to, well, edit. To review copy for spelling, style and content. And sometimes make long stories short. The same holds true for my other job as a mystery novelist.

It’s a mostly rewarding task. More so when I need only a polishing cloth to make language shine. Less so when a wrecking ball is required to demolish huge chunks of text and rebuild them word by word like brick walls.

The process has turned me into something of a fussbudget, though. Actually, make that curmudgeon aggravated by the least transgression. WHAT? You used further instead of farther? Are you out of your mind? Criminy. What a dolt.

At the beginning of my journalistic career, I expressed my frustrations using the pencil with which I edited typewritten copy. My weapon of choice was a Mirado Black Warrior loaded with No. 2 lead. Not to brag, but I was a young gun who wielded it with deadly proficiency. These days, I pound away at my keyboard to correct mistakes. And grumble loudly enough the nice woman who works next door to the newspaper office probably wonders about my emotional stability. I don’t blame her.

Let me be honest. I appreciate technology and the efficiency it’s brought to newspaper journalism and book publishing. I don’t want to go back to writing with a typewriter and editing with a pencil any more than I’d want to dip a quill into an inkwell. The good old days were anything but.

I remain exasperated, however, by what I contend is another consequence of technology. Despite the very software intended to prevent them, mistakes appear more frequently in the written word. The need for speed has supplanted respect for the language of Shakespeare. Does somebody, anybody, know the differences among their, there and they’re? How about its and it’s? Capitalization has become a popularity contest. If a word looks or sounds important, by all means go ahead and capitalize it.

The problem is nearly ubiquitous in informal communications, especially text messages, but has spread like a virus to infect more formal channels.

Although I’m confident enough to lament the mistakes I detect in spelling and style, I’m less assured about punctuation marks. That’s because even experts must agree to disagree about punctuation marks.

Take the Oxford comma, for example. No. Really. Take it. Please. There are those who love the Oxford comma. I loathe it.

I feel the same way about semicolons. Abraham Lincoln considered the semicolon a “useful little chap.” I side with Kurt Vonnegut and his lesson on writing: “Do not use semicolons. … All they do is show you’ve been to college.”

Don’t even get me started on exclamation points. Perhaps F. Scott Fitzgerald put it best: “An exclamation point is like laughing at your own joke.”

The risk, of course, of writing about editing is a mistake will appear in the very blog I’ve edited. That’s not to mention the sentences I tend to leave incomplete. Entirely on purpose. For all those eagle-eyed readers out there, I welcome you to swoop right in and let me know what you spotted.

In the meantime, I’ll just keep on editing. That’s part of my jobs.

Filed Under: Uncategorized

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